In this episode, Ryan and I discuss the current writing on television and how it is a reflection of competition with writing in cinema, and is much better in many ways. What makes television writing so much better lately and how can the indie writer bank on that wave of good work? We also lament the fact that science fiction films may never see another Oscar, unless they include elves and dwarves. I mean, what were 2001: A Space Odyssey and Blade Runner, chopped liver?
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Published by Roger Colby, Novelist, Editor
Roger Colby is a novelist and teacher who has taught English for nearly two decades. He is also an avid reader of science fiction who feels, like many other sci-fi readers, that he has read everything. He writes science fiction for the reader who is looking for the next best thing, something to excite them into reading again. This blog is his journey as a writer and his musings about writing. He also edits manuscripts for a fee and is an expert at helping you reach your full potential as a writer.
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In this episode, Ryan and I discuss the current writing on television and how it is a reflection of competition with writing in cinema, and is much better in many ways. What makes television writing so much better lately and how can the indie writer bank on that wave of good work? We also lament the fact that science fiction films may never see another Oscar, unless they include elves and dwarves. I mean, what were 2001: A Space Odyssey and Blade Runner, chopped liver?
Writing Is Hard Work 