Word count so far: 14,153.
When I began this series, my intention was to tell a story that was engaging and suspenseful, a story that was written in an epic space opera backdrop, but eventually lead the reader on a journey of faith. I think I’m getting there.
The first novel, The Terminarch Plot, is completely devoid of any faith issues or faith subtext save a few little hints that are dropped at opportune moments. I designed it this way to make my story slowly build to include an allegory of faith issues, namely being a Christian in an increasingly non-Christian world.
My main character is not of any faith, but throughout the second novel Providence begins to show Himself in faint hints here and there, but I am making sure it is not just coincidence. However, I am playing with the idea that coincidence can sometimes be seen as Providence and vice-versa, and this should make for an interesting subtext to the entire series as more and more secrets are revealed.
And there are plenty of secrets.
I guess the lesson here, dear writer, is that even though our novel may have much on the surface of action, intrigue, romance or horror, in order for it to be memorable one must insert some kind of subtext that is perhaps a “soap box” for the writer. Think of that thing that makes you irritated or annoyed about what it is to be human and find a way to share that with readers with the utmost subtlety.
In this way, you will ensure that readers come back to read other things you write. It’s what makes me buy more books by the same author.